Andrea Bowers is a Los Angeles based artist and social activist, whose work includes video, drawing, and installations, which deal with social and political issues such as: illegal immigration, the spoiling of native lands, abortion, and oil drilling. Bowers’ focus on individual voices can be seen in her 2009 video “Circle” where four generations of native Alaskan women speak about their relationships with non-native activists, who are against oil drilling in the Arctic. Her video work reveals the way marginalized people create a refuge for themselves in dire political times. Her use of negative space in her drawings of women as they participate in marches, rallies, and protests, leaves these women isolated and vulnerable as she removes individual figures from their original context.
A committed political and social activist, Bowers documents her participation in tree sits in 2009 and 2011. Bowers directly engages with people in her gallery spaces as in her 2009 show “Mercy Mercy Me” and again in later shows in 2011. Issues of immigration and death are dealt with in her “No Olvidado,” a 10-foot tall, 96-foot long drawing, that lists the names of the hundreds of people who have died while trying to cross the Mexico/U.S. border. Last year L.A.’s Hammer Museum hung her 50 foot mural depicting banks – one of which was Wells Fargo a donor to the museum – that funded the Dakota Access Pipeline, which runs through the Standing Rock Sioux Reservation.
Her works have been shown in the 2004 Whitney Biennial, the 2008 California Biennial, and in galleries in Germany, Greece, Tokyo, and the U.S. Her book art piece, “Labor Is Entitled to All It Creates,” will be shown June through October 2018 at the Getty Center.
Her art is in the permanent collections of The Whitney Museum of American Art, Tate Modern, Brooklyn Museum, New York’s Museum of Modern Art, San Francisco’s Museum of Modern Art, and Los Angeles’s Museum of Contemporary Art.